Then a street accident made it difficult for him to climb the stairs to his beloved attic apartment and effectively ended his long sojourn in the capital.His own direct involvement in the movie business had begun in the winter of 1956 when he met David Hanna, who was then working as a film publicist in Cinecittà, and asked Lane to stand in for him. Suddenly, he found himself inside the world he had observed only as an outsider, and before long the invitations to play cameo roles started to arrive. ‘What I enjoy most about living in John Francis Lane on the terrace of his home in Trastevere, Rome. Check out our breakdown of the movies and shows we're excited about this month, including " John Francis Lane was born on December 1, 1928 in Whitstable, Kent, England. He then became a boarder at the Royal grammar school in Worcester, followed towards the end of the war by Dulwich college, London. One such occasion came when During the 60s, he also made occasional appearances in the theatre. He first visited Italy as a tourist from Paris, in 1949, and studied Italian at the University of Florence before settling in Rome in 1951.There he lived for 46 years, surviving initially on a small legacy, then through a routine job with the FAO, the United Nations Food and Agriculture Organisation. In his autobiography, My World of Theatre (1971), Daubeny pays warm tribute to him.
Favoured acquaintances might receive an occasional letter from Lane on a stolen sheet of Fellini’s personal stationery, which he eked out and conferred on friends like parodic honours for the rest of his life.What had brought him and Fellini together was La Dolce Vita (1960) in which Lane played one of the reporters attending a press conference given by the glamorous Sylvia, the role through which When they met in London at that time, Lane asked Fellini why he put so many “freaks” into his films. At the same time, he was involved in the more congenial task of trying to build an income as a stringer for several Fleet Street papers.He had arrived with a confirmed passion for Italian cinema, and had already contributed his first article, on Idhec itself, to the British Film Institute’s periodical, Sight & Sound. In the end, when the autobiography appeared in 2013, although frank enough, it carried the calmer, kinder title So far as it went, Lane had a good education, the main part of it taking place against the background of the second world war. John Francis Lane obituary Actor, journalist, film writer and critic who was an expert on Italian cinema John Francis Lane on the terrace of his home in Trastevere, Rome. He explained that he would try to recall the three main activities of his adult life: the first, as a film and theatre critic, columnist and actor; the second, as a middle-class Englishman who had set out to discover the riches of Italian culture; and the third, “as a shameless homosexual enjoying the joys and sorrows of Italian male company”.He was very keen that his story should incorporate an honest account of his love life, not excluding its eroticism.
The British journalist John Francis Lane, who has died aged 89, provided a vivid running commentary on Italian cinema for more than half a century, from the last great years of neorealism up to the present.
He died in January 2018 in Cosenza, Calabria, Italy. Actor John Wayne received his first leading film role in The Big Trail (1930).
His father died in 1943 and Lane persuaded his mother to let him leave after only a year and enrol in drama school in Highgate.He gained experience in both acting and directing at the school, and had a spell as a stage manager in the West End.
Only rarely in the coming years did his dual career as reporter and actor cause problems. The picture shows Lane, left, on the set of La Dolce Vita with the director Federico Fellini From there, he wrote frequently on Italian life for the Economist. He had been sent first to a school in London which was evacuated at the outbreak of the war.
By the time of Roma, Lane had known Fellini for more than a decade.
He was born in Tankerton, a suburb of Whitstable in Kent, into a comfortably off middle-class family. Working with John Ford, he got his next big break in Stagecoach (1939). Lane’s close friendship with the Neapolitan actor and playwright Eduardo de Filippo, to whom he also introduced Daubeny, helped him to bring De Filippo to London in 1972 to star in one of his most famous plays, Napoli Milionaria.Lane continued to play the role of creative go-between throughout his career. “Caro Francescone [Dear big Francis],” Fellini replied, “look around you.”“At least,” Lane recalled, “he didn’t tell me to look in the mirror.”Freak was a word that Lane used without apparent bitterness to describe his own position as an outsider, as someone living in opposition to the conventions of the English middle-class life into which he had been born.Much later, he provisionally gave one of several attempts at autobiography the title A Freak in Rome. In early 1948 he signed up to study French at the Sorbonne in Paris and enrolled on a film course at the young but already prestigious Idhec – l’Institut des Hautes Études Cinématographiques. In one of their encounters, he had managed to appropriate a pad of the master’s notepaper with each page headed by Fellini’s self-portrait caricature – Fellini was kinder to himself in this respect than he sometimes was to others.His caricature of Lane showed the critic naked, portly and with an anatomically fixed peacock’s feather waving behind him. For example, he introduced the film director Michael Radford to the Neapolitan actor Massimo Troisi who starred – in his last role – in Radford’s Oscar-nominated Il Postino (1994).In 1970 Lane translated into Italian Samuel Beckett’s Not I and coached Laura Betti for her performance of it in the Rome Municipal theatre – something he mentioned in passing in In retirement Lane lived in the town of Rende, in Calabria, in a flat in the home and within the extended family of an Italian friend who offered him, he would tell friends, the affection and protection he said he had never found in his years of “Roman philandering”.
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