songs about levees

You'll fall under a spell just looking at his beautiful face. We apologize for any misunderstanding about our intentions. As black labor shifted from building levees to building railroads, so too did the lyrics of the tune.

It’s time to throw out the one song rule, which is okay since it’s my rule and I rule the roost as it were. I’m still listing them in reverse order. I hope you enjoyed reading it as much as I did compiling and writing it. It made me wonder what she was like as a young woman. ♬ Breach My Levee at Your Peril | 0 Posts. Number 38 ain’t half bad for a song about a town in Da Parish. I stand by my selections although I expect, and even want, criticism. The universal images used in Kate Campbell was born in New Orleans, but spent her early years singing Sunday services at her father’s Baptist church in Sledge, Mississippi.

Comments: 90. If it keeps on rainin', levee's goin' to break Sorry, Lamar, hip hop ain’t my thing so As with the movie list, Louisiana Tunes reflects my taste, which leans toward rock, blues, and classic R&B.

I’ve used an outline format: 3a, 3b, and 3c to mask my indecision and highlight the brilliance of The Meters, Zachary Richard, and Randy Newman. “Trains Don’t Run From Nashville” laments the brutal effects of technology on the culture, and “Bury Me In Bluegrass” which appears to be a protest song about family farms turning into shopping malls, is actually a love story about a family, which deeply cares for their land after they sell it.“It is said that the blues were born in the Mississippi Delta. I excluded instrumentals, which is why there aren’t many early jazz or more recent brass band numbers. I remember cloud-like cotton fields behind the parsonage that seemed to go on forever. The droning “open D” guitar tuning conveys a yearning for the return of the trains and the loneliness of a long-distance love.I actually wanted to write a song called “West of Everything” but my producer said “South of Everything” would better suit the theme of the CD–and he was right! Racial caricature is something we often see in late 19th and early 20th century material in Mudd Library’s collections, whether in minstrel shows or otherwise. Murder Ballads & Disaster Songs 1913-1938. Beware of the devil my child. Sorry, your blog cannot share posts by email.

The Delta blues feel and viola lines are reminiscent of Bobbie Gentry’s “Ode to Billy Joe.”I call “Lanterns on the Levee” the mood song on the CD. ♬ Levees | 0 Posts. The subtle percussion and haunting viola create just the right mood.“A Cotton Field Away” is another autobiographical song. IN THIS UNPRECEDENTED TIME, YOUR SUPPORT IS MORE IMPORTANT THAN EVER Many great Gret Stet artists missed the list, but that’s no reflection on them: they just didn’t record one of the Top 50 songs about Louisiana and its various municipalities. It was a labor of love. When he launched into In addition to Randy Newman’s original, there are two other noteworthy versions of this great song: That concludes this Top 50 list of Louisiana Tunes. No one does it better, only Bobbie Gentry was close” User covered the similar songs by Zeppelin themselves. Swingin' Down Yonder. The song “Bury Me In Bluegrass” was honored as “Farm Song Of The Year.” The CD cover artwork is by Carrol Cloar. Peter Athas has been blogging as Adrastos since 2005. It is one of my favorites to perform with the band.“The Locust Years” is very personal to me because I identify with the lyrics so much. Songs From The Levee (re-issue) is digitally re-mastered and contains five previously unreleased tracks, including an alternate take of “Like A Buffalo” and acoustic mixes of four other songs from the album.. 2007. Princeton’s minstrel tradition may have begun in 1886, when students complained that they had no “outlet for our long pent-up humorous and jocular emotions.” A minstrel show would solve this problem, the Princetonian felt. When I was just a little girl my mamma said to me "Beware of the the devil my child in the dark rocky places he'll keep. For example, the Triangle Club’s 1949 production of “All in Favor” featured a full-scale minstrel show (see the Why on Earth does this article not mention anything about the horror of minstrel shows and blackface? The basic recipe here is blues form + heavy psychedelic instrumentation. I used to hear people say, “Don’t forget where you came from.” As you can tell from this song, I haven’t. To show the depth and breadth of this creative response, here is a list of songs written about or in response to the devastating events following Hurricane Katrina (songs are listed in no particular order): It serves as a backdrop for the rest of the CD.