high quality wildlife photography

Grass Backgrounds. Chromatic aberration is essentially a non-issue and you'll notice very little vignetting in the extreme corners and only wide open. Don't throw away your wide angle lens just yet, but consider making a little extra room in your bag.While extreme telephoto lenses can sometimes seem steeply priced, they are a necessary investment, because they are the tool you need for the job you want to do. It may not quite hit the same marks as professional wildlife photography lenses, but for the price it's a good starting point.With that said, it’s undeniable that Canon made something special with the Canon EF 200-400mm f/4L IS USM Extender 1.4x.

It also means you have the flexibility to use even a 2x teleconverter making it an 800mm f/5.6 for only a small additional investment.Side benefit: The fast aperture and creamy bokeh, combined with the telephoto compression effect will mean this lens is incredible for both sports, portraits or full body model shots.Nikon may not have the iconic white barrels of Canon telephoto lenses, but Nikkor glass is still known by professionals as some of the best.

It features superb optics, incredible build quality, fantastic vibration reduction and a constant aperture.This is a popular ‘go-to’ long telephoto zoom lens for professional Nikon shooters. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property.If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware.If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. If you have a shot or small and distant subject in mind, nothing produces the image quality of a good prime lens; Primes are also almost always faster and the only option when it comes to hyperfocal lengths like 600 or 800 mm.The more professional grade the lens, the better it should weather harsh environments.

The max aperture also means you're limited in teleconverter usage as a 1.4x teleconverter might be the longest you'll fit on it and the auto-focus will probably slow down a fair bit as you'll hit F/8.Telephoto lenses often do double duty as solid portrait lenses, at f/5.6 this lens can do the job provided your subject is close and the background is at a great distance. A rare, expressive image of a fox attacking a marmot won Chinese photographer Yongqing Bao the honor of Wildlife Photographer of the Year. Incredible image quality and a focal range that comfortably covers shooting larger animals easily with plenty of range even for most birders.A fast, silent, and very accurate auto-focus implementation is complemented with a very good 4 stop image stabilization system.

Professional wildlife photographer based in the Cairngorms National Park in the Scottish Highlands, offering wildlife photography tours, workshops, and high quality stock images from my picture library.

This is a commonly covered range in zoom lenses that will offer you a solid entry point and flexibility to grow as you discover your style.Start with something in the 100mm-400mm range, perhaps add a teleconverter to dabble in longer ranges, and then upgrade yourself to something in 500mm focal length or beyond Example: You are shooting with a 400mm lens at f5.6. Your 200-400mm f4 becomes 280-560mm f5.6 with the flick of a switch.This means a huge range is covered without needing to swap lenses, no comparability issues and no perceivable loss of image quality. Backpackerverse.com does not include the entire universe of available offers. At this price, the slightly higher max aperture and auto-focus speed are all that hold it back from being “too good to be true".This is the longest of Nikon’s professional zoom line. The Nikon D5 is the current flagship of the stable. Well, the obvious answer is they take a long lens and make it longer. Find images of Wildlife. We have an active discussion forum with image critiques and articles. It's far from the end of the world if you are using a variable aperture f4-f5.6 but you'll really start to appreciate that constant f4 when you do upgrade. ... selective focus photography of sitting gray monkey during daytime.